The studies were mainly carried out in older adults with cardiometabolic diseases. 97% of the studies included older adults between 60–70 years, presenting an adherence to the interventions of 86%. A total sample of 5013 older adults (79% women) was included. Furthermore, a heterogeneous level of compliance was observed in the CERT items. A large percentage of the studies had an unclear risk of bias in the items: selection, performance, detection and attribution. Results: A total of 101 RCTs were included. A search for randomized controlled trials (RCTs) published between the years 20 was performed in the Scopus, MedLine and SciELO databases. Methods: This review was conducted in accordance with the PRISMA statement. In October 2008, nineteen years after his death, Raul Seixas was placed in 19th position in a list of one hundred greatest artists of Brazilian music sponsored by the Brazilian edition of Rolling Stone magazine, topping the likes of Milton Nascimento, Maria Bethânia, Heitor Villa-Lobos and others, demonstrating the influence that Seixas' music continues to hold today.Aim: To characterize physical exercise programs for older adults in Latin America. Raul was interested in philosophy (especially metaphysics and ontology), psychology, history, literature and Latin.
Many songs in Gita were co-written with his frequent collaborator, then-fellow mystic and future worldwide bestselling author Paulo Coelho. Although Raul Seixas never described himself as an adept of Tropicália (Mutantes, Caetano Veloso, Gilberto Gil, Tom Zé, Gal Costa, Jorge Ben Jor, etc), his openness to exploring and mingling sounds and rhythms of different times and cultures with an iconoclastic shows that Tropicália did seem to have a degree of influence in Raul Seixas' artistic output. His album Gita (1974), influenced by figures such as Aleister Crowley, expresses his views directly. Raul Seixas developed a musical style that emphasized the free-spirit and the mystic. However, he only gained prominence and critical audience with songs from the album Krig-Há, Bandolo! (1973), such as " Ouro de Tolo" ("Fool's Gold"), "Mosca na Sopa" ("Fly in the Soup"), and "Metamorfose Ambulante" ("Walking Metamorphosis"). His debut album, Raulzito e os Panteras, was produced when he was part of a band of the same name. "Canto para minha morte" (Song for my death) is a rock-tango of deep spiritual resonance. Raul Seixas also wrote songs that blended non-Anglo styles, including variations of rhythms typical of his native Northeast Brazil like Forró, Baião, Maxixe, Candomblé drumming, and in fact, often used more than one style in the same song, such as in "Let Me Sing, Let Me Sing".
His musical style is varied, though Rock'n'Roll, folk, and ballads form much of his oeuvre. His body of work consists of 21 albums released throughout his 26-year career.
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